Why I Support Image Journal

I’ve been an avid reader of Image Journal for years. To describe the journal, I’ll defer to the website: “Image was founded in 1989 to demonstrate the continued vitality and diversity of contemporary art and literature that engage with the religious traditions of Western culture. Now one of the leading literary journals published in English, it is read all over the world—and forms the nexus of a warm and active community. We believe that the great art that has emerged from these faith traditions is

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Director Werner Herzog on Filmmaking

I’ve been reading the fascinating book “Werner Herzog: A Guide for the Perplexed.” I’m a huge fan of the enigmatic German filmmaker, especially his approach to documentaries. Since I’ve been involved producing “The Insanity of God” and “Let Hope Rise: The Hillsong Movie” this year, documentaries have been on my mind a great deal. I particularly love Werner’s advice on breaking into the industry. I only wish I had heard this after graduating from college:

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Three Things You Need When Filming on Location

Over the years, I’ve produced and directed programming on location in more than 50 countries around the world.  For everyone that spends lots of time on a film or video set – particularly in far away places – there are certain things you just don’t leave behind.  Novices could do well to learn what more experienced filmmakers consider “must have” items during a shoot.  For me?  The top 3 would probably be my laptop (I’m always writing), a raincoat, and a great bag.  In fact, I’m a little obsessive about bags and have way more than I should.  But on location, a bag is my office, so I’m not afraid to spend money for one that does what I need. So I asked some other experienced professionals what were the top 3 absolutely “must have” items they take to every location.  Here’s a few answers:

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The Insanity of God – A Fathom Event

Coming to Theaters Near You...

On August 30th, Fathom Events is showing our feature documentary “The Insanity of God” nationwide in theaters across America for one night only. How we got to this point might be a lesson in how the film business has changed and an encouragement to beginning independent filmmakers. It started as a

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How to Select a Great Director of Photography

I see a great number of independent movies, reality pilots, short films, and other video work from people around the world. But in the vast majority of cases, there’s one overwhelming shortcoming with the project: It just doesn’t look very good. The truth is – even in the era of inexpensive high definition and 4K cameras – the Director of Photography matters more than the equipment. If you’re a producer, director, or investor, you need to make sure the person behind the camera knows what he or she is doing. So in the interest of a more visually compelling world, here’s a handful of criteria I use to find the right DP or camera operator for my projects:

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Did Christian Artists Sell-Out To Become “Family Friendly?”

If you’ve ever spent much time in art museums – particularly in Europe – you know that much of the greatest Christian art of the past was anything BUT “family friendly.” Caravaggio’s David with the Head of Goliath for instance. Powerful painting, raw, and violent. The most amazing thing about the piece is that it’s a self-portrait, and yet Caravaggio painted himself not as the hero, but as Goliath. As if he understood

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Would Major TV Networks Be Interested In My Faith Based Show Idea?

With the success of “The Bible” TV series, and “Finding Jesus” on CNN, I’ve been getting plenty of inquires from people who want to get other Christian ideas picked up by a secular network. In many cases, they’re starting from the wrong perspective. The first step isn’t getting your show idea on a network. The first step is finding out what the network is interested in programming. With that in mind, here’s a few critical principles about how to get a secular network to look at your Christian program idea:

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