Today, thousands of churches send out missionaries – either short or long term – and ask them to videotape their work to show to supporters back at the home church. The problem is, most missionaries aren’t skilled camera operators, so the video that comes home is often jerky, badly exposed, with poor audio. Over the years, our team has helped train hundreds of missionaries in how to capture their work on video. But not every
My friend DeVon Franklin was the Senior Vice President of Columbia Tristar Pictures in Hollywood, and then launched his own movie production company. If you haven’t read his book “Produced by Faith” then I highly recommend it. I recently asked him his opinion of the single most important skill it takes to reach the top in the entertainment and media industry. His answer?
I was shooting videos and short films back in the days of half-inch black and white, reel to reel recording. Since that time I’ve written, directed, and produced at least a thousand for a long list of projects and clients. During that time I’ve learned a few things about producing videos that connect with audiences and inspire them to action. Here’s five key secrets:
Sometime last year, word started floating around that Netflix was accepting not just Christian movies, but Christian TV programs as well. Since then I’ve been deluged with Christian media organizations asking how to get their programming on the network. So I asked my friend Chris Bueno, CEO of Ocean Avenue Entertainment, a full service home video distributor for the inside story. Here’s what Chris had to say:
Over the years, I’ve produced and directed programming on location in more than 50 countries around the world. For everyone that spends lots of time on a film or video set – particularly in far away places – there are certain things you just don’t leave behind. Novices could do well to learn what more experienced filmmakers consider “must have” items during a shoot. For me? The top 3 would probably be my laptop (I’m always writing), a raincoat, and a great bag. In fact, I’m a little obsessive about bags and have way more than I should. But on location, a bag is my office, so I’m not afraid to spend money for one that does what I need. So I asked some other experienced professionals what were the top 3 absolutely “must have” items they take to every location. Here’s a few answers:
I’m fortunate to be friends with a lot of highly creative writers, artists, musicians, and filmmakers. But a significant number never realize their full potential, and in fact, never actually finish many projects. It baffled me for awhile, but then after years of observing them, I discovered the problem:
On August 30th, Fathom Events is showing our feature documentary “The Insanity of God” nationwide in theaters across America for one night only. How we got to this point might be a lesson in how the film business has changed and an encouragement to beginning independent filmmakers. It started as a
I see a great number of independent movies, reality pilots, short films, and other video work from people around the world. But in the vast majority of cases, there’s one overwhelming shortcoming with the project: It just doesn’t look very good. The truth is – even in the era of inexpensive high definition and 4K cameras – the Director of Photography matters more than the equipment. If you’re a producer, director, or investor, you need to make sure the person behind the camera knows what he or she is doing. So in the interest of a more visually compelling world, here’s a handful of criteria I use to find the right DP or camera operator for my projects: